The basic step-by step drawing instructions that follow below.
First , I used a few photos of temples for a reference however I didn’t copy all of them. You are free to do this however I would suggest that you create your own designs for your temple by using this tutorial and some other images as a source of inspiration. This will make drawing much less difficult for you. The most essential instrument you’ll require to draw this is a straight edge. I personally prefer the T-square as it made the creation of parallel lines much more simple. If you don’t own a T-square, you can use an ordinary ruler. For pencils, I chose to use 4B and 2B pencils. I used 2B to create detailed contours/shadows, and 4B for light shadows. It is possible to make use of any pencil that works for your needs. The reason I choose the two pencils I have is because I’m trying the new combinations. It is possible to complete the entire drawing or any drawing with only one pencil, should you choose to.
Begin with a simple structure for pagodas. Begin with an vertical line running down the middle of your paper. Create a horizontal line over the bottom of the paper, and a shorter line to the bottom on the page. Be sure that your lines are aligned. Join the top line to the bottom line, creating the closed trapezoid. Four horizontal lines are created by adding five sections. The sections will shrink by size when they move close to each other. The most crucial process, so make sure you spend as long as you can to do it.
Start building the foundations you’ve got from the bottom. In essence, you need to mark your roof as well as the walls that front the structure. It is possible to see more more rafters beneath on the roofing as you move up because of perspectives.
Draw the remainder of the roof and walls. Create a column on top to create “nine loops.” When you are done it is crucial to make sure your plan is clear. Each section shrinks by proportional size as it gets closer to that top spot on the webpage.
Add definitions starting beginning from the bottom. I added a few additional elements for the floor on top, mostly another roof beneath the main roof and also a partitions among the wall. I also built an incline and base for some stairs that connect to the pagoda.
The process will get more complex when you begin adding sections. The primary things you need to be concerned about during this stage include the tiles on the roof as well as the columns that line the walls. Note how the roof tiles are less inclined the more they move closer to the roof’s edges. This is an important aspect that adds more depth and dimension. Be sure that your horizontal and vertical lines are parallel. The easiest method of creating parallel lines is with a T-shape.
Begin to add details section by section, starting from the bottom to the top. The lines should be a bit dark to provide more definition. This is the last contour layer, which will ensure that your contours are as clear as you can.
Incorporate details to the other floor as well as its roof. There are lots of small details, and if you’ll overlook a few places, and which is fine. You can add additional details later on during your drawing procedure. It is important to ensure that your outline is solid to allow for shading later on.
Work begins on the two floors. Begin by making simple divisions. This is also your basis for the remainder floor.
Include additional sections on the roof and walls. Be aware of how the lines are drawn when drawing the trusses on sides of your roofs.
Create your shadow starting from the bottom to the top. Don’t forget that you don’t need to make your pagoda look like mine. It is possible to make the design as simple or complicated as you like, just ensure that your outline is neat and clear.
Details of the floors to come. It is important to note that you will see more of the bottoms of the roofs when you are closer to the top. Do not forget to put curving beams to the roof. This will provide the temple with an oriental appearance.
Start to separate the floors on the top. This “9-round” section is divided into nine pieces. Make sure the curves face upwards to create some illusions of perspective.
Include more sections on the top layer, just as that you have done in earlier steps.
Begin adding more details from the bottom up to the top. It is important to ensure that you are able to see further into the roof rafters underneath the higher roofs.
Find the top floor as well as “9 loops”. Make sure you have actually got nine loops to ensure authenticity! Take a look at all of your artwork, and breathe deeply! Everything is straight from here.
Beginning to shade using the same method from the bottom to the top. You can apply any shading technique you feel comfortable with. I chose to use 4B graphite as well as paper towel to add shade to my backgrounds. I then selected the 2B pencil to create my detail shadows.
Shade over the remainder part of the top floor. While you work on your shadow, you’ll most likely have to go back and review your contours. Use straight lines while you traverse the lines during these last steps. What you don’t would like to see is unstable lines.
Begin to work on the two floors to come and add shadows on the background. There are numerous ways you can make shadows. You can begin by using the lightest values first and then gradually increase your dark values. It is also possible to start with your darkest , and then put your most bright ones aside for the last. I will randomly switch between these two options based the mood I am in.
Shade on the 3rd and 2nd floors.. It is possible to be looking for more detail to the floor below there and then. There are lots of tiny details in this drawing, so be sure you take your time.
The first step is almost complete! Begin adding shadows to the pagoda as well as the background. The last two steps are the most satisfying, but it can be the most difficult. Continue to trot and look back over the rest of your drawing to get ideas.
Check out the details of the top portion and The “9 loops”. I added some interest to the background. I also smoothed my shading using the use of a towel. If you apply the towel lightly enough that you only impact the shade, and not lose the contours. It is also possible to use 4B pencils to create shadows that are darker and also work on the wood texture. I truly hope you enjoy this drawing as difficult as I did, and that you take as much knowledge about yourself as I did. Let me know what you like it or If you have any queries you would like me to answer.